David G. Embrick (Editor), Talmadge J. Wright (Editor), Andras Lukacs (Editor)

Lexington Books, 2012

While many books and articles are emerging on the new area of game studies and the application of computer games to learning, therapeutic, military and entertainment environments, few have attempted to contextualize the importance of virtual play within a broader social, cultural and political environment that raises the question of the significance of work, play, power and inequalities in the modern world. Many studies tend to concentrate on the content of virtual games, but few have questioned how power is produced or reproduced by publishers, gamers or even social media; how social exclusion (e.g., race, class, gender, etc.) in the virtual environments are reproduced from the real world; and how actors are able to use new media to transcend their fears, anxieties, prejudices and assumptions. The articles presented by the contributors in this volume represent cutting-edge research in the area of critical game play with the hope to draw attention to the need for more studies that are both sociological and critical.

David G. Embrick (Editor), Cameron D. Lippard (Editor), J. Scott Carter (Editor), Eduardo Bonilla-Silva (Foreword)

University of Washington Press, 2020

The standoff at Cliven Bundy’s ranch, the rise of white identity activists on college campuses, and the viral growth of white nationalist videos on YouTube vividly illustrate the resurgence of white supremacy and overt racism in the United States. White resistance to racial equality can be subtle as well—like art museums that enforce their boundaries as elite white spaces, “right on crime” policies that impose new modes of surveillance and punishment for people of color, and environmental groups whose work reinforces settler colonial norms.

In this incisive volume, twenty-four leading sociologists assess contemporary shifts in white attitudes about racial justice in the US. Using case studies, they investigate the entrenchment of white privilege in institutions, new twists in anti-equality ideologies, and “whitelash” in the actions of social movements. Their examinations of new manifestations of racist aggression help make sense of the larger forces that underpin enduring racial inequalities and how they reinvent themselves for each new generation.

David G. Embrick (Editor)

Cognella Academic Pub, 2013

While standard sociology textbooks often provide only brief overviews of the field of sociology, the anthology Sociology and the Global Society: Power, Privilege and Perspectives allows professors and students alike to spend more time addressing institutional and systemic inequalities, most notably issues of race, class, and gender. The book also examines globalization and its sociological effects.

After an introduction to the nature of sociology, the five sections of the book address the ways in which sociologists view the world, the ways culture impacts perspective, persistent social inequalities, and the sociology of development and globalization. The final section presents suggestions and solutions that can be used in dealing with systemic inequality.

The text exposes students to both classic sociological works, and the freshest contemporary research on topics ranging from media to education to the prison industrial complex through peer-reviewed research articles by notable scholars in the field.

Sociology and the Global Society is an ideal supplemental reader for introductory sociology courses, as well as classes focusing on social problems and inequality. It can also be used as a stand-alone textbook.

Fumilayo Showers (Author)

Rutgers University Press, 2023

As the U.S. population ages and as health care needs become more complex, demand for paid care workers in home and institutional settings has increased. This book draws attention to the reserve of immigrant labor that is called on to meet this need. Migrants Who Care tells the little-known story of a group of English-speaking West African immigrants who have become central to the U.S. health and long-term care systems. With high human capital and middle-class pre-migration backgrounds, these immigrants – hailing from countries as diverse as Cameroon, Sierra Leone, Ghana, Nigeria, and Liberia – encounter blocked opportunities in the U.S. labor market. They then work in the United States, as home health aides, certified nursing assistants, qualified disability support professionals, and licensed practical and registered nurses.

This book reveals the global, political, social, and economic factors that have facilitated the entry of West African women and men into the health care labor force (home and institutional care for older adults and individuals with physical and intellectual disabilities; and skilled nursing). It highlights these immigrants’ role as labor brokers who tap into their local ethnic and immigrant communities to channel co-ethnics to meet this labor demand. It illustrates how West African care workers understand their work across various occupational settings and segments in the health care industry. This book reveals the transformative processes migrants undergo as they become produced, repackaged, and deployed as health care workers after migration.

Ultimately, this book tells the very real and human story of an immigrant group surmounting tremendous obstacles to carve out a labor market niche in health care, providing some of the most essential and intimate aspects of care labor to the most vulnerable members of society.

Shawn Salvant (Author)

LSU Press, 2015

The invocation of blood—as both an image and a concept—has long been critical in the formation of American racism. In Blood Work, Shawn Salvant mines works from the American literary canon to explore the multitude of associations that race and blood held in the consciousness of late nineteenth- and early twentieth-century Americans.

Drawing upon race and metaphor theory, Salvant provides readings of four classic novels featuring themes of racial identity: Mark Twain’s Pudd’nhead Wilson (1894); Pauline Hopkins’s Of One Blood (1902); Frances Harper’s Iola Leroy (1892); and William Faulkner’s Light in August (1932). His expansive analysis of blood imagery uncovers far more than the merely biological connotations that dominate many studies of blood rhetoric: the racial discourses of blood in these novels encompass the anthropological and the legal, the violent and the religious. Penetrating and insightful, Blood Work illuminates the broad-ranging power of the blood metaphor to script distinctly American plots—real and literary—of racial identity.

Melina Pappademos (Author)

The University of North Carolina Press, 2011

While it was not until 1871 that slavery in Cuba was finally abolished, African-descended people had high hopes for legal, social, and economic advancement as the republican period started. In Black Political Activism and the Cuban Republic, Melina Pappademos analyzes the racial politics and culture of black civic and political activists during the Cuban Republic.
The path to equality, Pappademos reveals, was often stymied by successive political and economic crises, patronage politics, and profound racial tensions. In the face of these issues, black political leaders and members of black social clubs developed strategies for expanding their political authority and for winning respectability and socioeconomic resources. Rather than appeal to a monolithic black Cuban identity based on the assumption of shared experience, these black activists, politicians, and public intellectuals consistently recognized the class, cultural, and ideological differences that existed within the black community, thus challenging conventional wisdom about black community formation and anachronistic ideas of racial solidarity. Pappademos illuminates the central, yet often silenced, intellectual and cultural role of black Cubans in the formation of the nation’s political structures; in doing so, she shows that black activism was only partially motivated by race.

Jeffrey O. G. Ogbar (Author)

Basic Books, 2023

The remarkable story of how African Americans transformed Atlanta, the former heart of the Confederacy, into today’s Black mecca

Atlanta is home to some of America’s most prominent Black politicians, artists, businesses, and HBCUs. Yet, in 1861, Atlanta was a final contender to be the capital of the Confederacy. Sixty years later, long after the Civil War, it was the Ku Klux Klan’s sacred “Imperial City.”

America’s Black Capital chronicles how a center of Black excellence emerged amid virulent expressions of white nationalism, as African Americans pushed back against Confederate ideology to create an extraordinary locus of achievement. What drove them, historian Jeffrey O. G. Ogbar shows, was the belief that Black uplift would be best advanced by forging Black institutions. America’s Black Capital is an inspiring story of Black achievement against all odds, with effects that reached far beyond Georgia, shaping the nation’s popular culture, public policy, and politics.

Jeffrey O. G. Ogbar (Author)

The Johns Hopkins University Press, 2004

In the 1960s, the Nation of Islam and the Black Panther Party gave voice to many economically disadvantaged and politically isolated African Americans, especially outside the South. Though vilified as extremist and marginal, they were formidable agents of influence and change during the civil rights era and ultimately shaped the Black Power movement. In this fresh study, drawing on deep archival research and interviews with key participants, Jeffrey O. G. Ogbar reconsiders the commingled stories of — and popular reactions to — the Nation of Islam, Black Panthers, and mainstream civil rights leaders. Ogbar finds that many African Americans embraced the seemingly contradictory political agenda of desegregation and nationalism. Indeed, black nationalism was far more favorably received among African Americans than historians have previously acknowledged. Black Power reveals a civil rights movement in which the ideals of desegregation through nonviolence and black nationalism marched side by side.

Ogbar concludes that Black Power had more lasting cultural consequences among African Americans and others than did the civil rights movement, engendering minority pride and influencing the political, cultural, and religious spheres of mainstream African American life for the next three decades.

Jeffrey O. G. Ogbar (Editor, Introduction)

Houghton Mifflin College Div, 2002

This volume consists of fifteen essays that address a broad range of issues connected with the African American civil rights movement. While the text includes readings related to the late 19th and early 20th centuries, the modern movement occupies most of the book’s focus.

Jeffrey O. G. Ogbar (Editor)

Johns Hopkins University Press, 2010

This volume provides new historical and literary insights into the Harlem Renaissance, returning attention to it not only as a broad expression of artistic work but also as a movement that found catharsis in art and hope in resistance.

By examining such major figures of the era as Jessie Fauset, Paul Robeson, and Zora Neale Hurston, the contributors reframe our understanding of the interplay of art, politics, culture, and society in 1920s Harlem. The fourteen essays explore the meaning and power of Harlem theater, literature, and art during the period; probe how understanding of racial, provincial, and gender identities originated and evolved; and reexamine the sociopolitical contexts of this extraordinary black creative class. Delving into these topics anew, The Harlem Renaissance Revisited reconsiders the national and international connections of the movement and how it challenged clichéd interpretations of sexuality, gender, race, and class. The contributors show how those who played an integral role in shattering stereotypes about black creativity pointed the way toward real freedom in the United States, in turn sowing some of the seeds of the Black Power movement.

A fascinating chapter in the history of the African American experience and New York City, the cultural flowering of the Harlem Renaissance reverberates today. This thought-provoking combination of social history and intellectual art criticism opens this powerful moment in history to renewed and dynamic interpretation and sharper discussion.